Skip to main content

Echoes of Clayoquot Sound Through Poetry: Kami Kanetuska, by Brave Foreign

Echoes of Clayoquot Sound Through Poetry
Kami Kanetuska, by Brave Foreign
    • Notifications
    • Privacy
  • Project HomeEchoes of Clayoquot Sound Through Poetry
  • Projects
  • Learn more about Manifold

Notes

Show the following:

  • Annotations
  • Resources
Search within:

Adjust appearance:

  • font
    Font style
  • color scheme
  • Margins
table of contents
  1. Kami Kanetsuka, by Gabrielle Medor
  2. Betty Krawczyk, by Fatima Meza
  3. Kim Back, by AMG
  4. Irene Abbey Day 1, by Lena
  5. Síle Simpson, by Zlatan Papadopoulos
  6. Jay Hamburger, by MP
  7. Christine Hayvice, by Brave Foreign
  8. Kami Kanetsuka, by ellacali
  9. Jan Bate, by Shaina Marks
  10. Chris Lowther, by Amal Eldesouky
  11. Miriam Leigh, by Megi Rama
  12. Mike Morell, by Tom Jack Simpson
  13. Betty Krazwyck, by Debasree Das
  14. Inessa Ormond Twiss, by Sierra Link, Okanagan College, CA
  15. Kami Kanetsuka, by Andrea Lancianese
  16. Kim Back, by Anonymous
  17. Irene Abbey Day 1, by Laetitia Bouc
  18. Irene Abby Day 2, by Yousef Hasan-Hafez
  19. Mike Morell, by Kleid Saraci
  20. Betty Krazwcyk, by Gabriela Kostka
  21. Kami Kanetuska, by Brave Foreign

Kami Kanetuska

 

 

I don’t have to speak very loudly.

 

                                                                             Where do I start?

 

I didn’t...

 

I don’t think I was involved in environmental stuff...

 

 

 

 

 

 

 

 

 

 

 

 

 

I’m not starting at the beginning.

 

 

 

 

 

 

 

 

 

 

 

 

 

I can’t.

 

 

 

 

 

 

 

 

 

 

I mean, it seems to me my life started when I went to Nepal,

where I started to think about some of those things.

I just got invited to go there over land,

I had enough of England.

 

How I got there?

I had been feeling guilty,

I had heard about the protests,

I had even heard about the camp,

I had been planning to go there all summer.

 

I had seen…

Uh,

the article on Sile Simpson.

I had stuck a picture up in my kitchen,

I made my pot of tea,

I’d look at it

and think,

oh I better go up there.

 

I would get myself to Clayoquot Sound,

not quite knowing how I’d get there.

I felt that the camp reminded me of the 60s.

 

I went there I was tentless.

I didn’t feel like I really wanted to stay there without a tent,

I was only staying up there for a few days the first time…

But it really opened my eyes to what was going on.

 

I’ve always had this sense of being connected with the whole of the world.

I found the camp very pleasant.

I think there was something else…

I found it really rather extraordinary in some ways.

 

I enjoy things

 

I find the majority of the people would rather not get involved.

I didn’t really want to get…

 um…

arrested.

I made that decision!

I would support anybody who wanted to get arrested.

 

I wanted to be involved,

I just kept feeling I wanted to be involved…

                                     [ I wanted to be involved…

                                              I wanted to be involved…]

 

I did expect that I would write more.

 

I would come back,

and I would talk about how amazing the camp was.

I would find that people often weren’t that interested.

 

And I think in a way it affected me,

I lost faith in a lot of things….

I couldn’t keep just running over there.

                                          [ running over there,

                                                                     over there,

                                                                                       there.]

Citation

Moore, Niamh, “Oral history interview with Kami Kanetuska (audio recording and transcript),” Clayoquot Lives: An Ecofeminist Story Web, accessed April 26, 2023, https://clayoquotlives.sps.ed.ac.uk/items/show/44.

Annotate

Previous
Poems
This text is licensed under a CC BY-NC-ND 4.0 license
Powered by Manifold Scholarship. Learn more at
Opens in new tab or windowmanifoldapp.org